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Bones Double Drabble: Learning (#87 in ATLBU)
Title: Learning
Characters: Brennan, Angela
Rating: PG
Timeline/Spoilers: Set sometime after Yanks in the U.K.
Word Count: 200
Disclaimer: Bones and its characters belong to FOX, not me. This story is purely meant to entertain. No copyright infringement is intended.
Thanks and hugs to all who've commented on previous chapters. :)
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Click here to read the other drabbles in this series.
Learning
“How do you do it?” Angela asks, setting her bowl of wonton soup on the coffee table.
Brennan watches the ribbon of steam drift toward the ceiling before turning to look at Angela. “Do what?” Her best friend speaks in riddles sometimes, and Brennan doesn’t always know to respond.
“Shut off your feelings.” She waves her arms in a vague, sweeping gesture. “Will you teach me to pretend? Sometimes I can do it, and other times, I just…I look at Jack and…” Angela trails off, shaking her head wordlessly. Her hands drop to her knees, and her shoulders slump as she glances back at Brennan.
Her brain whirls with possibilities; she wants to fix this for Angela. But in the midst of the maelstrom there’s a stillness, a quiet voice that sounds like an odd mixture of Booth and Angela. This voice tells her to reach out, not to fix, but to comfort if she can – and despite knowing the voice doesn’t really exist, she heeds it.
“I miss him, Bren,” Angela says, eyes luminous and dark.
“I know.” Swallowing her doubts, Brennan wraps her arms around Angela.
Because she’s learned that sometimes this is all a friend can do.
A/N: I know that many folks think Brennan's reaction to Angela's comments about it being awkward with Hodgins after their breakup was perfectly in-character. (I'm talking about the scene in The Crank in the Shaft -- the one where Brennan offers to fire Hodgins for Angela's benefit.) My perspective is slightly different, though. My feeling is that it would have been just as in-character for Brennan to demonstrate empathy in a slightly more traditional fashion; she did it in The Skull in the Desert, and I don't believe that she's more emotionally/socially awkward now than she was then -- especially when it comes to Angela, not Booth. Anyway, just my worthless $.02. ;)
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This is my favorite part. It's so Brennan.
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And, as usual, it is perfect.
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::hugs::
Be good to yourself, and let J. (and others) take care of you just a little.
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Hugs to you. I will try.
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*g* I understand. The universe works in mysterious ways.
But next time, feel free to ask me directly. If I can't, I'll regretfully say no.
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And I'm not surprised that we agree on this!
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i think, in the episode, it would have been more in character for her to make generalized anthropological comments like she did when ange was first stressing over whether to date hodgins.
or to do it the way you did here, where we see why their friendship works despite their differences. very nice. :)
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Thanks for sharing your thoughts.
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*sighs* wonderful.
And I agree with your author's note, too. I love those little glimpses at Brennan.
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Brennan has come a long, long way, and it's a shame that she still doubts her ability to connect with other people.
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(Anonymous) 2008-10-23 11:49 pm (UTC)(link)this is a beautiful story though - i like your brennan much better
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Here, Angela in Crank in the Shaft had to work it out for herself; hence her failed trip to see Sweets as well.
For us, in fandom land, we can look at the bigger picture and nod when someone (you) gets it right.
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Angela and Brennan's friendship is a beautiful thing; I wish we got to see more of it on the show...
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I'd like to get your answer whatever it'll be asap. Sorry for posting this comment.
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So I responded to your message on 10/25, and that was the earliest that I could get back to you. Then I received an email notification saying that you wrote me back, but when I logged into LiveJournal, I couldn't find/read a message from you. Sorry for the inconvenience, but the message is nowhere to be found. If you need to reach me again, please feel free to resend your message or contact me through any of the email addresses listed in my LiveJournal profile.
Thank you.
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I agree, I think both reactions are in character. The one they used in the episode says “you’re my friend and your happiness is so important to me that I’d be willing to fire Hodgins even though I REALLY don’t want to”. This one says “you’re my friend and I know you’re in pain and I realize there’s not a damn thing I can do to change it, except be there for you”. Brennan has certainly grown enough to realize that.
And I adored these sentences for capturing that inner voice in Brennan’s head, the product of what she’s learned, so perfectly and so beautifully:
“Her best friend speaks in riddles sometimes, and Brennan doesn’t always know to respond.”
“But in the midst of the maelstrom there’s a stillness, a quiet voice that sounds like an odd mixture of Booth and Angela. This voice tells her to reach out, not to fix, but to comfort if she can – and despite knowing the voice doesn’t really exist, she heeds it.”
Gorgeo-licious!
(And to think you’re worried about being able to crank out a novel! Puh! *is secretly envious* ;-D)
Sometimes I feel kind of sad for Brennan because she seems to have less confidence in her own ability to empathize and offer comfort than is actually warranted (re: the first sentence I quoted above). I’m using that idea in something I’m writing right now as well and you seem to have picked up on that too—interesting huh, how sometimes it’s just a tiny little thing that two people pick up on at the same time. Serendipity rules.
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“I miss him, Bren,” Angela says, eyes luminous and dark. - Especially loved this line, as a huge fan of MC it was just beautiful and perfect.
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