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onlymorelove ([personal profile] only_more_love) wrote2007-11-11 03:27 pm

Bones fic: Come Undone (2/?)

Title: Come Undone (2/?)
Chapter: 2/? [WIP]
Characters: Brennan, Booth
Rating: R (rating is for some language and adult themes.)
Summary: Where does Booth go on a night when his job feels like too much? Story set in season 3. Possible spoilers through 3x6.
Warning:  This story is rated R because of some adult themes, mild profanity, and some potentially difficult emotional content. 
Disclaimer: Bones and its characters belong to FOX, not me. This story is purely meant to entertain. No copyright infringement is intended.

Click here for index of all fics.
Chapter 1

Author's Note: As always, thank you to to all readers, commenters, and lurkers. This story has been particularly difficult to write. If you have the time to leave a comment after reading this, I'd be much obliged. :) I...can't decide if I hate this chapter.

Does anyone know where I can find a beta? I'm considering writing something a bit darker, and I wonder if I'd benefit from bouncing some ideas, etc. off someone else.

Chapter 2: Fail with consequence, lose with eloquence.

”I don’t know." His eyes focused everywhere but on her, and the urge to grasp his chin and make him look her in the eye flashed through her with such power that her hands curled into fists.

"Don't lie to me." Temperance realized her lips were trembling and clamped her jaw shut.

"I...I don't know why I came here." He shook his head and turned away from her, shoulders bowed like Atlas. "I'm sorry I bothered you."

"Fuck you, Booth. I never took you for a coward." The words were out, and she couldn't take them back.

Booth's back stiffened and his head came up. "I'm not a coward."

"Then tell me the truth. You came here for a reason, and I want to know what it is. Please." There was a pleading note in her voice, and she hated herself for it — and Booth for putting it there.

Slowly, he turned to face her. "All right. I came here because I needed to see you. Because I thought you would understand. Because—"

“I do,” she said, unable to resist interrupting. "Or at least I'm trying," she amended.

“—I can breathe a little easier when I’m with you.”

The words trembled in the air between them, alive and nearly corporeal.

"But I know it was a mistake."

"What? Coming here tonight or kissing me back?"

"Both."

"Why?"

"Look," he said with a sigh, "I wasn't thinking clearly." Temperance knew it wasn't rational, but Booth's words turned her stomach to ice. Still, she willed herself to ignore the cold and plow forward. She would not back down.

"Oh, I understand now. You only kissed me back because you weren't thinking clearly. Stupid me for thinking that something was happening here, between us."

"But it can't happen, Bones. Don't you see that?"

"Obviously, I'm not your type," she said, continuing as if she hadn't heard him, the ice melting as her gut began to burn. "Not blond. Not as good with people as I am with bones." She swallowed the lump in her throat and forced out the next words. "Perhaps just not good enough for you."

"No." One word — a bullet. Booth began to pace, hands on his hips, holding back a phantom suit jacket — a gesture so familiar it made her ache. "No, that's not it at all. Bones, you're plenty good enough. That's the problem. You're too good."

"What does that mean?" For a moment, she wished for their easy banter, for Booth's smug smile and laughing eyes and the crackling retorts that always sprang so easily to her lips. But there was no ease in this. Nothing familiar but the man standing in front of her. She had crossed the line by kissing him, but she'd done it without a map. Now she had no idea where to go next.

"Look at me," he said, and she did. He ceased moving, arms spread wide, and laughed humorlessly. "I'm a mess. An addict. Fifty kills to atone for. You've seen my x-rays. I'm broken, Bones. You know where and you know why."

Broken? He was no more broken than anyone else.

She stared at him, and it hurt her to see the self-loathing distorting his familiar features. How could eyes that saw so much in others, ferreting out secrets and lies, be so blind?

Yes, the x-rays had shown her the ghostly evidence of the fractures in his feet and the scarring that revealed he'd been injured while trying to shield someone. That was Booth — always trying to shield someone from something. But who shielded him?

Her lips twisted and her throat felt heavy with the need to speak the right words — the ones he needed to hear in order to understand. "More often than not, fractures heal. It's a natural, if sometimes painful and imperfect process." She hesitated, silently debating whether or not to tell him. The answer presented itself when she remembered Booth's long ago declaration that partners shared things. He'd shared with her tonight, telling her about Tom Gallagher. She could certainly try to do the same. She realized with a pang then how much he already knew — about her dysfunctional family, her passwords, and even the awkward, gawky girl who'd wanted to take dance lessons.

"I traveled to El Salvador several years ago in order to perform identifications at mass graves. I was in a tent near one of the sites, working on the remains of a young girl who'd been shot in the head and then dumped in a well. A police officer, possibly a soldier, showed up. I assumed he was sent to guard me, but he told me to stop. I refused, so he called in two other men. They bound my hands and feet, put a bag over my head, and dumped me in a cell with a dirt floor and no windows—"

"God," he said, scrubbing his hands over his face. "Just...I'm sorry, Bones. I didn't know."

She held up a hand, stalling him. If she paused too long, the words would die in her throat. "Let me finish. They held me captive for three days. Three days that felt like more than a week. He told me that he would kill me and toss me in a well, so no one would ever know who I was or what had happened to me." The irony had not been lost on her. She raised her gaze to meet his, determined not to flinch. The truth was the truth was the truth — and it could not be changed. "He raped me, Booth," she said, voice steady even if her hands were not. They shook, opening and closing as if scrabbling for something to hold onto.

No one had heard those words from her before. No one, save the doctors. Not even Angela knew the details of what had happened in El Salvador.

She hadn't uttered the words before.

The writer in her understood the power of words.

It hit her then, how much motion there was in Booth, even when he appeared still. It was something he had taught her, through countless interrogations, even though she hadn't yet mastered the lesson — how to read the stories the body, the face, the breath, and the voice could tell. His inhalation sounded sharp enough to cut glass. Eyes wide, bottomless, dark, as if immune to the light in the room. Shadows limning the crescents under his eyes. Concern, scored into the lines in his forehead. Pain, carved into the parentheses around the axis of his mouth.

Pain?

"That's when I learned that sex can be used as a weapon. But I survived, Booth. So you see, things break, but they heal, too."

Booth moved closer, taking her empty, grasping hands in his. The touch completed the circuit, sending a jolt through her. Did he feel it too? His fathomless eyes traveled the contours of her face as if seeing her for the first time. Perhaps trying to read the story there.

"I'm sorry. I wish you didn't have to go through that." He squeezed her hands and held her gaze without blinking. It was so like him, to provide comfort when she should be comforting him.

It occurred to her then that maybe she shouldn't have told him. There were complex rules that governed social interaction, rules that, to her great frustration, could not be found in any text. Maybe she'd broken one of them with her revelation. She had only sought to make a point, to share something the way he had. She hadn't wanted to turn the focus to her issues, didn't want to be just one more thing for which he felt responsible. "We hadn't even met yet, Booth. There's nothing you could have done."

"I'd kill him if I could." Temperance saw the truth of it in his eyes, heard the conviction in his voice.

"I know. So would I." She searched his eyes and concentrated on the sensation of his skin against hers, feeling it in every bone, muscle, and tendon, knowing it might be all she would ever have of him. Wanting it, it and something more, even though she hadn't realized it until he appeared at her door, with rain his hair and despair in his eyes.

"You know, I have my own list. Granted, there is only one name on there right now — Gil Lappin." Her recognition that Booth was right about them all ending up a pile of bones gave her the courage to continue, even as the breath caught in her throat and her pulse pounded in her ears. "I would shoot him a hundred times if it meant saving you." The hyperbole caused heat to steal over her cheeks.

His grip tightened, and she felt the bones in his hands flex. "I don't want that for you," he said, and she knew he meant it, knew that he understood, better than all of them, what it cost to take a life.

"I know."

He dropped her hands and stepped back, shaking his head and making her want to shake him. "You know what my job is like, Bones. You know how dangerous it is. You deserve better."

"You don't get to make that decision for me. I'm a grown woman, Booth. It's not your job to protect me from you." Thanks to her martial arts training, Temperance knew just how to break Booth's nose with a palm strike. But she was beginning to realize not everything could be accomplished with force, and she couldn't force Booth to step back over that invisible yet very real line.

"You're wrong. It is my job to protect you."

The memory came to her in a flash. Bedtime... Her parents taking turns reading her the Brothers Grimm version of Cinderella. In that version, the stepmother had forced her daughters to cut off pieces of their feet so they would be able to fit into the gold slipper the prince had managed to capture.

She wasn't Cinderella, and if Booth wanted her to wear the gold slipper of their old relationship, she would have to cut off a part of herself to do it.

Could she do that?

All at once she felt very tired. With the fatigue came a creeping sense of shame. Booth anchored her when circumstance threatened to buffet her every which way. Clearly it was asking too much to think she could do the same for him. He'd come to her seeking comfort; she understood that much. And she'd kissed him, further tangling things when she should have brought clarity. How could she have thought that was the right thing to do? Worse still, she'd kept him there when he wanted to leave. It had been selfish, and she had no right, she acknowledged. They were partners. That was all. Partners didn't have that kind of claim over one another.

She turned and walked toward the couch. She sank down on one end, near the armrest, and folded her legs, hugging her knees to her chest. "When our partnership began, my most meaningful relationships were with dead people. That was three years ago. I like to think that's no longer the case."

"It's not." The rough timbre of his voice made her close her eyes.

"Due in no small part to you, Booth."

He didn't respond, and his silence filled her with numbness. No more ice, no more fire. Only numbness.

She couldn't look at him. "I'm...sorry I didn't know the right thing to do. The right thing to say. If you'd like to leave now, I won't stop you. But if it's all right with you, I'd like to forget all this." The words caught in her throat, their razor edges making her bleed as she spoke them.

The floor creaked as he walked toward her, his bare feet nearly soundless. "You did the right thing, Bones." He sighed. "I don't want to leave." Though her eyes were still closed, she felt the heat emanating from his body as he came to stand next to her. "And I don't think I can forget this." His fingers whispered over her hair, drawing a shiver from her. "Don't think I want to. Is that really what you want? To forget?"

Temperance let her head tilt to the left so that it rested against Booth's hip. She opened her eyes. "No."


[identity profile] lerdo.livejournal.com 2007-11-13 12:30 pm (UTC)(link)
Can i tell you how amazing this fic is?!?

You can tell me, and I'll accept your kind comment with many, many thanks. :)

The vulnerability you've written is so touching and the description...

Thank you, Deira. I've had some doubts about this fic, so your comments are truly encouraging.

Thanks again for taking the time to let me know what you thought of this update; I appreciate it.

[identity profile] lerdo.livejournal.com 2007-11-13 12:34 pm (UTC)(link)
Thank you. "Complicated emotions" sums it up perfectly.

Brennan may not always know how to deal with her feelings in a healthy and functional way, but I don't doubt that she has them -- especially when it comes to Booth.

[identity profile] lerdo.livejournal.com 2007-11-13 01:52 pm (UTC)(link)
You really surprised me with this two first chapters.

You and me both. :)

hahaha and while i was reading the second one i should have got a camera to record all the faces i was making.

That's very funny. I wish I had seen your expressions.

As always, thanks for sharing your reactions with me.

[identity profile] lerdo.livejournal.com 2007-11-13 01:55 pm (UTC)(link)
Oh, thank you so very much. :) Glad this read ok to you.

[identity profile] lerdo.livejournal.com 2007-11-13 02:01 pm (UTC)(link)
Thanks! I'm really happy you enjoyed it. :)

[identity profile] lerdo.livejournal.com 2007-11-13 02:06 pm (UTC)(link)
Thank you for always taking the time to leave feedback. You don't know how much I appreciate it. :)

I had doubts about this story. It took me almost two months to update it because it intimidated me, and I didn't want to screw it up. Reading that you thought it was good is encouraging. So thank you!

[identity profile] lerdo.livejournal.com 2007-11-13 02:13 pm (UTC)(link)
I love the depth you put into all of your fics.

Thank you, from the bottom of my heart, for saying that.

And you're right, this story is a bit darker. I think the show floats on the edge of the darker stuff, just barely touching on it sometimes, and I think it could be explored further. But it's a 43 minute show, and there are other limitations.

I'm really, really happy this felt real to you, and like them, because I'm not trying to write angst for angst's sake, if that makes sense.

[identity profile] lerdo.livejournal.com 2007-11-13 02:15 pm (UTC)(link)
*hugs* Thank you so much. I'm beyond happy that you liked this.

[identity profile] lerdo.livejournal.com 2007-11-13 02:27 pm (UTC)(link)
On the show, they've touched on the darker stuff (in Soldier on the Grave, for example), but I think it could be pushed further. David Boreanaz has been quoted as saying he doesn't want to go into Booth's painful experience being a sniper. Maybe he's tired of darkness after being Angel. :) Regardless, given that he's a producer now, perhaps his influence will keep them from going down that road.

But let's forget what DB wants for a second, and think about Seeley Booth, the character. My opinion is that Booth and Brennan are complicated, conflicted people doing tough jobs that exact a very high price. They laugh and they banter, but that doesn't change the fact that they deal with atrocity on a nearly daily basis. If anything, I think the laughter is often a defense mechanism.

Anyway, I'm glad you're curious and want to read more. :) Thank you very much for sharing your thoughts with me.

[identity profile] lerdo.livejournal.com 2007-11-13 02:46 pm (UTC)(link)
Ok. You may regret offering, but I'll be in touch. *g*

Oh, and I think I forgot to say thank you for your comments on Brennan's observations of Booth. I tried very hard to put down the right words in that paragraph, so I'm glad it stood out for you.

Those are the best projects, I think - the ones that are frankly overwhelming at first.

I bet you're right.

Without knowing details, I'm sure you've got the chops to take it on. :)

ha ha I have no chops; I'm flying blind. :D Come Undone raised such doubts that I couldn't bear to update it for almost two months. The other idea that's gnawing at me is darker.

[identity profile] lerdo.livejournal.com 2007-11-13 03:13 pm (UTC)(link)
Hello. :) Thanks for stopping by again. I'm glad you thought the voices and tone here worked. I ABSOLUTELY agree that "it can be a dicey decision to bring rape into a story for a character that doesn't have that in their canon-history." I debated it, and then decided it could work, especially given that rape often is used as an intimidation or interrogation technique. Plus Brennan's reaction to the Mara Muerte leader in "Woman in the Garden" just made me go "hm..."

It helps that we've seen Brennan's open attitude toward sexuality, reinforcing her statement that things can heal.

You have encapsulated preceisely what tipped me over into bringing rape into the story.

Your Brennan point of view is great, too, just analytical and confused enough. *g*

Why thank you! She's such a neat character to write.

Thank you for reading and commenting.

[identity profile] lerdo.livejournal.com 2007-11-13 03:37 pm (UTC)(link)
*hugs you* Thank you, Katie! I so appreciate your feedback, but please do not feel obligated to leave it. I gladly accept all comments. However, I understand that life gets busy sometimes or you don't know what to say or you just hate what you read, and you don't want to hurt the writer's feelings by saying so. I'm sure there are dozens of other reasons why people read but don't comment.

As for the beta issue, don't mind, but I'm going to copy and paste from my reply to another comment:

Surprisingly, a lot of people have responded to my request. I have no idea what I'm going to do yet, but I will certainly keep your offer in mind. I appreciate your willingness to help. At present, I don't have anything written that I want someone to look at. I have a vague idea for a story rolling around in my brain, but I don't know if it makes sense to write it or even if I CAN write it well. And then there are characterization and structure questions. I thought it might help to have a sounding board or boards. Not that I'm arrogant enough to believe my actual writing wouldn't benefit from another pair of eyes. If I take on this story, I know I'll want to have someone else take a look at it before I make an ass of myself.

Thanks for offering; I've read your writing, and I'm sure you would be great. Just let me figure out where I go next. :)

As always, looking forward to more updates from you!

Thank you! I'm looking forward to reading more from you, too, once you have time to breathe. :)

[identity profile] lerdo.livejournal.com 2007-11-13 03:45 pm (UTC)(link)
Hi again. :) I knew you were reading Come Undone because you commented on the first chapter, but I had no idea you were reading any of the other stories. Thanks for letting me know you're enjoying them!

you're one of my favorite authors in LJ/fanfiction.

Oh, thank you so much! :D

thanks for bringing BB goodness to the world (after the BB writers, of course...Support the Writers!).

You're welcome, and thank you for commenting. And without the Bones writers, I wouldn't have Booth and Brennan to play with. :)

[identity profile] lerdo.livejournal.com 2007-11-13 04:21 pm (UTC)(link)
I don't think we've interacted before. :) *waves hello*

Re: the beta issue, don't mind, but I'm going to copy and paste from my reply to another comment:

Surprisingly, a lot of people have responded to my request. I have no idea what I'm going to do yet, but I will certainly keep your offer in mind. I appreciate your willingness to help. At present, I don't have anything written that I want someone to look at. I have a vague idea for a story rolling around in my brain, but I don't know if it makes sense to write it or even if I CAN write it well. And then there are characterization and structure questions. I thought it might help to have a sounding board or boards. Not that I'm arrogant enough to believe my actual writing wouldn't benefit from another pair of eyes. If I take on this story, I know I'll want to have someone else take a look at it before I make an ass of myself.

So thanks for offering; let me figure out what I do next. :)

[identity profile] anadxof.livejournal.com 2007-11-13 05:18 pm (UTC)(link)
I'm always looking forward to read your stories. And I love also your banners. So clean and beautiful.

[identity profile] odakota-rose.livejournal.com 2007-11-13 06:54 pm (UTC)(link)
:)

You're right about that, they kind of edge as close as they can to the really dark stuff, and every once in a while you get a moment that's a lot darker than the rest, it works, though.

No, that makes perfect sense. Some stories you start reading and end up wondering what the point is with all the angst. (My personal theory is that there are a lot of depressed fic writers projecting on the characters or something..)

[identity profile] elena1701.livejournal.com 2007-11-13 07:31 pm (UTC)(link)
This is so perfectly written and true to the characters, but where you're taking them is pretty painful to read about (not that I would stop reading this, of course).

I'm a bit wary about the rape backstory - it used to be written into lots of X-Files fanfic (back in the day), but was rarely done well. However, I think you're a great writer so trust you'll deal with it well.

It's hard to pick my favourite line from this, but I think this may be it:

The truth was the truth was the truth — and it could not be changed.

Or possibly this, though it almost breaks my heart to read it:

She searched his eyes and concentrated on the sensation of his skin against hers, feeling it in every bone, muscle, and tendon, knowing it might be all she would ever have of him.

I look forward to seeing what you write next!

[identity profile] lerdo.livejournal.com 2007-11-13 08:10 pm (UTC)(link)
Thank you so very much, Elena. I am both relieved and happy that you felt this was true to the characters.

but where you're taking them is pretty painful to read about (not that I would stop reading this, of course).

I wouldn't blame you at all if you stopped reading. :) I'm going to be totally honest here; it took me almost two months to revisit this story because I was intimidated and unsure of what to do next. I didn't want to screw things up. But I am convinced that there is darkness and complexity in both these characters, and I wanted to explore that. It's hinted at on the show, but they don't really delve into it much -- especially with Booth.

I can understand why you're wary about the rape backstory. I have only seen a handful of X-Files episodes, and I've never read a fic for the show, so I have no idea how it's been handled by X-fic writers. However, as I told someone else, I'm not trying to write angst for angst's sake. The rape seemed plausible in light of the fact that rape is an oft-used intimidation or interrogation tactic, and in light of her strong reaction to the Mara Muerte leader in Woman in the Garden. And I definitely am not trying to sensationalize rape or turn it into something that's an excuse for Booth and Brennan to hook up. Also, please note that the rape is something that happened to Brennan, and not something that is happening. Point being, it's a part of her life story, but it's not the only part. I have no interest in writing Brennan as a victim or feeling unable to be sexual because of the rape. That clearly isn't the case. She was quite free with Sully, for example. Fourteenlines posted this in her comment on this chapter: "It helps that we've seen Brennan's open attitude toward sexuality, reinforcing her statement that things can heal." That is precisely what finally convinced me that it was ok to bring up rape.

Nor do I have any interest in writing this as Brennan being defined by the fact that she was raped; I think that is part of what she was trying to convey to Booth in the hope that he would understand that he isn't defined by any single thing that he's done or had done to him. Does that make sense? I recognize, though, that ultimately it doesn't matter what I say here because if the story doesn't communicate all that, I haven't done a very good job.

So I don't want this story to be about the rape. It's not something that I want to reveal for shock value and then never touch on again, but this isn't supposed to be a rape story. Let me just assure you that if I can't find a way to integrate it into the story in a way that seems fitting, I'd rather just stop writing it. Better to leave the story unfinished than turn it into something that makes a mockery of something so serious.

Whew. Please forgive my rambling on. :) This story is a tough one, and I'm wrestling with a lot of questions. Your comments reinforced that.

Thank you for pointing out your favorite sentences. I was partial to those, too, because I hate that Brennan is sometimes viewed as being unfeeling. She is anything but that.

Thanks for your thoughtful comments. As you can see, they provoked a lot of thought for me. ;)

[identity profile] kwizbit.livejournal.com 2007-11-13 11:04 pm (UTC)(link)
*hugs back* You're welcome [livejournal.com profile] lerdo! ;)

No problem about the beta. Let me know if ya need me, I'll be around online somewhere :) (Also - don't let the fact that I'm in school and suffering with the depression stuff turn you off in making your decision. I actually just finished up beta-ing for [livejournal.com profile] shipperfey's 40 pg sequel about a week or two ago, to which I also beta-ed her 70 pg? original before that.. While still doing school and all :P But like I said, whoever you end up choosing is great. It's your story, and your choice, and I think you'd know who would fit in well with what you're looking for) ♥

I know, I really want to write a few things I've had ideas for. It's dying to come out on paper, and as much as I want to write, I know that if I start it, I won't be able to stop, so it could be bad for my schoolwork - I might as well just hang onto all of it and write it over Thanksgiving Break and/or Winter Break.

[identity profile] elena1701.livejournal.com 2007-11-14 06:49 pm (UTC)(link)
I saw that comment from Fourteenlines and completely agreed - Brennan saying "things break, but they heal, too" shows that the story isn't about the rape - so the story is communicating that. You're right about the show being pretty dark at times.

The way you're handling the rape backstory is being done very well, and as you say, it's plausible given the backstory in 'Woman in the Garden'. It's far better than the XF fics I remember.

I'm sure I will keep reading this story whenever you update next - I'll just need something fluffy and comforting to read afterwards :)

[identity profile] witchofthedogs.livejournal.com 2007-11-14 07:05 pm (UTC)(link)
I just decided to look up some Bones fic to while away a slow afternoon in the office and found this and all I have to say is...

Out of the fucking ballpark, my friend.

So very, very good. Subtle and good.

[identity profile] lerdo.livejournal.com 2007-11-14 08:04 pm (UTC)(link)
There's nothing like a little fic to spice up a dull day.

Thanks for reading and commenting. This is a tough one to write, so hearing from other people really helps. And I'm ECSTATIC you think this is subtle; I was so hoping it would read that way.

[identity profile] cliodnahpfan.livejournal.com 2007-11-15 11:17 pm (UTC)(link)
I would offer to Beta, but I think you've gotten more than enough offers by now. :) That being said, this is not my favorite story of yours - not because the characters are wrong or because of any writing errors - just because of the subject matter. It's difficult for me to picture Booth breaking down to that extent, even if it is in front of Brennan. Now, that's not to say that it would never happen or anything like that - it's just difficult for me to picture, is all. I still enjoy the story - it's just not my favorite. :D

[identity profile] greenovalfruit.livejournal.com 2007-11-17 09:31 am (UTC)(link)
OH YOU ARE AN ANGSTY ONE!!!!

This is a crappy, small comment because of bad net connection, bad brain connection etc etc but OMG KEEP GOING! I mean, I'd prefer you finish the other two first because they are my faaaaavourites. But HEE LOVE!!!

[identity profile] lerdo.livejournal.com 2007-11-17 09:25 pm (UTC)(link)
Everyone has fears, and limits, and things that just plain push their buttons. Sometimes it's interesting to put characters in situations that hit those things -- and then sit back and see how they react. Characterization is very subjective, and I knew when I started writing this story that there would definitely be people who wouldn't agree with my portrayal of Booth and Brennan. I am glad you felt comfortable telling me that you couldn't see Booth breaking down like this; I value your honest opinion.

I think I know which is your favorite. WWHIWK?, perhaps? ;)

Thanks for taking the time to read and comment.

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